Puri: Participants of the 21st edition of the Puri Heritage Walks (PHW) on May 10 voiced concern over the deteriorating condition of several historical and cultural landmarks in the holy city, calling for urgent steps to preserve Puri’s rich heritage.
The heritage walk began from the nearly 300-year-old Maniram Matha near Marichikote Square on the Grand Road. Established by saint Maniram Das, the Math belongs to the Ramanandi sect and is locally known as “Kakudia Matha.” Though not directly associated with the rituals of the Jagannath Temple, the monastery continues the tradition of offering “Panti Bhoga” during the ceremonial processions of Lord Jagannath outside the shrine.
Participants later visited the historic Annapurna Theatre, one of Odisha’s oldest theatre institutions, where they expressed disappointment over the poor condition of the building. Once a major centre of Odia performing arts, the theatre now stands neglected with damaged structures, worn-out galleries and a fragile tin-roof auditorium.
General Secretary of the theatre, Ramakrishna Mahapatra, shared details about the institution’s glorious past. Founded in 1933 as “Annapurna Natya Mandali” by late Somanath Das and later developed under Bauribandhu Mohanty, the theatre staged iconic productions such as “Kansa Kabata” and “Khai Kaudi.” It also hosted the screening of the first Odia film, “Sita Bibaha.”
Several renowned artists associated with Annapurna Theatre later gained prominence in Odia cinema and television. However, with the rise of cinema halls and modern entertainment platforms, the theatre gradually lost its audience and relevance.
The heritage walk also included a visit to the Solapith Craft Centre, where participants interacted with national award-winning artisan Baidyanath Khuntia. They witnessed intricate Solapith artworks depicting Lord Jagannath, Konark Wheel replicas, ritual decorations and traditional motifs used in various festivals and rituals.
Khuntia expressed concern over the declining interest among younger generations towards traditional crafts and said artisans continue to struggle financially despite preserving centuries-old cultural practices.
In the final phase of the walk, participants visited noted Odissi music guru Priyabrata Ray of Shyam Sundar Sangeet Mahavidyalaya. Discussions focused on the deep connection between Odissi music and Jagannath culture, including the tradition of reciting “Gita Govinda” as part of temple rituals.
Senior PHW member Prashanta Mishra also highlighted the influence of Odissi and traditional Odia music on legendary composers, including S.D. Burman, and their contribution to Indian film music.
