Goa: Renowned cinematographer John Seale captivated the audience during an “In-Conversation” session at the 55th International Film Festival of India (IFFI), offering profound insights into his illustrious career and the evolving craft of cinematography. Known for his iconic work in films like The English Patient and Mad Max: Fury Road, Seale emphasized the transformative power of light in storytelling and the unique challenges of every project.
“There is no formula for cinematography,” Seale asserted. “Each film, with its distinct script, geography, and context, demands a fresh approach.” This philosophy, cultivated during his early days in the burgeoning Australian film industry, defined his career.
Seale’s journey began in the 1960s when he honed his skills with the Australian Broadcasting Corporation (ABC), capturing everything from horse races to television shorts. “I can give a long lecture on how to cover a horse race,” he joked, reflecting on his formative years.
As Australian cinema blossomed, Seale and his contemporaries embraced a passion-driven approach, steering clear of Hollywood’s formulaic methods. Instead, they relied on a “what if” system of creativity. “What if this happens? What if this has to be here?” he recalled, describing the innovative mindset that earned Australian filmmakers international acclaim.
Seale’s adaptability shone in his anecdotes about transitioning from single-camera setups to multi-camera shoots, which allowed for greater spontaneity. He recounted an improvised scene where an actor dropped a toothpick, leading him to introduce a second camera setup. “I shouted ‘EMERGENCY’ and winked at the director. That’s how we shot the rest of the scene,” he said, laughing.
He also shared innovations like replacing noisy clapboards with silent slide-in boards to help actors maintain their emotional focus. “It’s about making the environment comfortable for the actors while ensuring the technical aspects are seamless,” he explained.
Seale emphasized the dual role of being both the lighting cameraman and the operator, fostering a closer bond with directors and actors. “Staying close to the director helps bring their vision to life visually,” he noted. He also advocated for removing obstacles that hinder actors’ performances, such as floor marks that disrupt natural movements.
His commitment to immersive storytelling was evident in his meticulous pre-production process. “The more work you do during pre-production, the easier it gets during filming,” Seale said, highlighting the importance of understanding the director’s vision and selecting the right tools, such as lenses, to enhance the narrative.
Addressing a question about the potential of digital technology to empower differently-abled individuals in cinematography, Seale dismissed the notion that physical disabilities could impede creativity. “It’s the script!” he stressed, underscoring that passion and vision are the true hallmarks of a cinematographer.
Seale’s conversation offered a masterclass in adaptability, collaboration, and innovation in cinematography. From managing stormy scenes with emotional intensity to ensuring audiences remain immersed in the story, his anecdotes reflected a career defined by creativity and dedication.
For aspiring cinematographers, Seale’s journey is a testament to the importance of constant learning and the power of light and vision to shape unforgettable cinematic experiences.
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