Goa: A packed auditorium at the Kala Academy witnessed a lively and insightful discussion between veteran actor Manisha Koirala and visionary filmmaker Vikramaditya Motwane at the 55th International Film Festival of India (IFFI). The session, titled From Big Screen to Streaming, brought together the iconic “Mallikajaan” of Heeramandi and the creative mind behind Udaan, Lootera, and Sacred Games to delve into the evolving dynamics of cinema and streaming platforms.
Manisha Koirala highlighted the equal intensity required for theatrical releases and OTT projects. “Both demand the same level of effort, preparation, and sincerity,” she said, calling the massive set of Heeramandi the largest she had ever worked on in her three-decade-long career.
Expressing her love for both experiences, she remarked, “I enjoy going to theatres, but I also love binge-watching good content at home. Both mediums hold their unique significance and charm.”
On whether actors hesitate to work on OTT platforms, Manisha acknowledged lingering apprehension but noted, “Good results encourage acceptance. This hesitation will fade in a few generations.” She praised the shift in opportunities for older actors, saying, “Roles for women my age are evolving, offering more substance and depth.”
Vikramaditya Motwane shared insights from his experience as a filmmaker across formats. “Streaming platforms allow more freedom, especially in language and storytelling, but sustaining multiple seasons creatively is challenging,” he said. Citing examples like Sacred Games and Jubilee, he emphasized the quicker pace of OTT production compared to theatrical films.
Discussing the nuances of writing for OTT, Motwane explained, “It’s a different process altogether. Writers must consider episode structures and timing.” He also highlighted the need for a balance between big-screen releases and streaming platforms, emphasizing that both formats can coexist harmoniously.
Both speakers agreed on the transformative potential of OTT platforms in India. Manisha noted, “Streaming is breaking moulds, offering opportunities for emerging filmmakers, writers, and actors while also challenging established norms.”
Motwane expressed optimism about the future of cinema, stating, “A perfect blend of theatrical and OTT formats will create a marvel in the cinematic universe.” He acknowledged the need to improve the movie-going experience, citing concerns like unnecessary intervals and lengthy ads. “But cinema on the big screen will always have its magic,” he concluded.
The engaging session left the audience with a hopeful vision for the industry. Both Manisha and Motwane emphasized the importance of pushing boundaries and embracing new formats to create innovative and impactful storytelling.
As IFFI 2024 continues to celebrate the art of cinema, discussions like these underline the industry’s evolution and its commitment to exploring uncharted territories, ensuring a promising future for storytellers and audiences alike.